Allen, Christopher, Art in Australia: From Colonization to Postmodernism, Thames & Hudson, London, 1997.
Art Gallery of New South Wales, The Wynne Prize: An Australian Landscape Tradition, Art Gallery of New South Wales with S.H. Ervin Gallery, Sydney, 1986.
Bardas, David, The Coppin Grove Collection of Sandra and David Bardas, Macmillan Art Publishing, Melbourne, 2011.
Bond, Anthony (ed.), with Rebecca Daniels & Martin Harrison (contributors), Francis Bacon: Five Decades, Thames & Hudson, Melbourne, 2015.
Bonython, Kym, Modern Australian Painting 1960–1970, Rigby, Adelaide, 1970.
Bonython, Kym & Lynn, Elwyn, Modern Australian Painting 1970–1975, Rigby, Adelaide, 1976.
Bonython, Kym & Luck, Ross, Modern Australian Painting, 1975–80, Rigby Press, Adelaide, 1980.
Broinowski, Alison, The Yellow Lady: Australian Impressions of Asia, Oxford University Press, Melbourne, 1992.
Capon, Edmund & Meek, Jan (eds.), ‘Australian 20th Century Art’, Portrait of a Gallery, Art Gallery of New South Wales, Sydney, 1984.
Cotter, Richard, Change & Continuity: Twentieth Century Australian History, Macmillan Education, South Melbourne, 1998.
Creswell, Rosemary (ed.), Walled Garden: Poems from NSW Prisons, Ball and Chain Press, Sydney & New South Wales Department of Corrective Services, Sydney, 1978.
Crumlin, Rosemary, Images of Religion in Australian Art, 1988, Bay Books, Kensington, New South Wales, 1988.
Dixon, Christine & Smith, Terry, Aspects of Australian Figurative Painting 1942–1962: dreams, fears and desires, The Power Institute of Fine Arts, Sydney, 1984.
Driscoll, Michael & Whiteley, Brett, Native Rose, Richard Griffin, New South Wales, 1986.
Ducrot, Nicolas (ed.), Distortions, André Kertész, Thames & Hudson, London 1977.
Dutton, Geoffrey, The Innovators: The Sydney Alternatives in the Rise of Modern Art, Literature and Ideas, Macmillan, South Melbourne, 1986.
Eagle, Mary & Jones, John, A Story of Australian Painting, Pan Macmillan, Australia, 1994.
Edwards, Deborah, Two centuries of Australian painting: a selection from the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 1986.
Flam, Jack, Matisse on Art, University of California Press, San Francisco, 1995.
Flower, Cedric, Aspects of the Erotic in Australian Art, Sun Books, South Melbourne, 1977.
Fry, E., Gallery Images from the Collection of the Art Gallery of Western Australia, St George Books, Perth, 1984.
Fry, Gavin, The Peter Elliott Collection of Australian Art, The Beagle Press, Sydney, 2013.
Gleeson, James, Australian Painters: Colonial 1788–1880. Impressionists 1881–1930, Modern 1931–1970, Lansdowne Press, New South Wales, 1981.
Gray, Anne (ed.), Australian Art in the National Gallery of Australia, National Gallery of Australia, Canberra, 2002.
Green, Charles, Peripheral Vision: Contemporary Australian Art 1970–1994, Craftsman House, Drummoyne, New South Wales, 1995.
Hastings, Elizabeth, Wingadal: The John Symond Collection, Beagle Press, Sydney, 2013.
Hawley, Janet, Artists in Conversation, Slattery Media Group, Richmond, Victoria, 2012.
Hawley, Janet, Encounters with Australian Artists, Queensland University Press, St Lucia, Queensland, 1993.
Hawley, Janet, Wendy Whiteley and the Secret Garden, Penguin Books, Australia, 2015.
Hergenhan, Laurie (ed.), The Australian Short Story: A Collection 1890s–1990s, University of Queensland Press, St Lucia, Queensland, 1986.
Hilton, Margot & Blundell, Graeme, Whiteley: An Unauthorised Life, Pan Macmillan Australia, Sydney, 1996.
Hewitt, Helen Verity, Patrick White, Painter Manqué: paintings, painters and their influence on his writing, The Miegunyah Press, Carlton, Victoria, 2002.
Hopkirk, Frannie, Brett: a portrait of Brett Whiteley by his sister, Random House, Sydney, 1996.
Horton, Mervyn (ed.), Australian Painters of the 70s, Ure Smith, Sydney, 1975.
Horton, Mervyn, Present Day Art in Australia, Ure Smith, Sydney, 1969.
Hughes, Robert, The Art of Australia: A Critical Survey, Penguin, Ringwood, Victoria, 1989 (first published 1966).
Hunt, Susan, The Archibald Prize 1921–1993, Art Gallery of New South Wales, Sydney, 1993.
Hunter, Lois, The Australian Art Companion: A Selection of Influential Artists, Reed Books, Balgowlah, New South Wales, 1991.
James, Bruce, Australian Collection: Painting and Sculpture, Art Gallery of New South Wales Handbook, Art Gallery of New South Wales, Sydney, 1999.
Kennedy, Ludovic, 10 Rillington Place, The Quality Book Club, London, 1961.
Klepac, Lou, Brett Whiteley: Drawings, The Beagle Press, Sydney, 2014.
Klepac, Lou (ed.), Australian Art in the Art Gallery of New South Wales, Beagle Press, Sydney, 2001.
Klepac, Lou (ed.), with essays by Barry Pearce et al., Australian Painters of the Twentieth Century, Beagle Press, Roseville, New South Wales, 2000.
Krausmann, Rudi, From Another Shore, Wild & Woolley, Sydney, 1975.
Laing, Ronald D., The Divided Self, Penguin Books, Middlesex, 1973 (first published 1960).
Leymarie, Jean, ‘Foreword’, Art Since Mid-century: The New Internationalism, New York Graphic Society, Greenwich, Connecticut, 1971.
Luck, Ross K., The Australian Painters 1964–1966, Griffin Press, Adelaide, 1966.
Lynn, Elwyn, The Australian Landscape and Its Artists, Bay Books, Sydney, 1977.
McCulloch, Alan & McCulloch, Susan, The Encyclopedia of Australian Art, St Leonards, New South Wales, 1994.
McCulloch, Susan, McCulloch, Alan & McCulloch Childs, Emily, The New McCulloch's Encyclopedia of Australian Art, The Miegunyah Press, Carlton, Victoria, 2006.
McGrath, Sandra, Brett Whiteley, Bay Books, Sydney, 1979 (revised edition, Angus & Robertson, Pymble, New South Wales, 1992).
McGrath, Sandra & Walker, Robert, Sydney Harbour Paintings From 1794, Jacaranda Press, Brisbane, 1979.
McPhee, John & Pearce, Barry, Great Collections: treasures from Art Gallery of NSW, Australian Museum, Botanic Gardens Trust, Historic Houses Trust of NSW, Museum of Contemporary Art, Powerhouse Museum, State Library of NSW, State Records NSW, Museums & Galleries NSW, Sydney, 2008.
Millar, Ronald, Civilised Magic: An Interpretative Guide to Australian Paintings, Sorrett, Melbourne, 1974.
Olle, Andrew & Pullan, Robert, On Interviewing, Australian Broadcasting Corporation, Sydney, 1992.
Paroissien, Leon & Dysart, Dinah, (eds.), Eroticism: Images of Sexuality in Australian Art, Craftsman House in association with Fine Arts Press, Sydney, 1992.
Pearce, Barry, Art Gallery of New South Wales Handbook, Art Gallery of New South Wales, Sydney, 1988.
Pearce, Barry, Australian Art in the Art Gallery of New South Wales, Art Gallery of New South Wales, Sydney, 2000.
Pearce, Barry, Australian Artists, Australian Birds, Angus & Robertson, Sydney, 1989.
Pearce, Barry, with contributions by Bryan Robertson and Wendy Whiteley, Brett Whiteley: Art & Life, retrospective catalogue, Art Gallery of New South Wales, Sydney, 1995.
Pearce, Barry, One Hundred Moments in Australian Painting, New South Publishing & Art Gallery of New South Wales, Sydney, 2014.
Pearce, Barry; George, Alec; Pellow, Ashlie & Whiteley, Wendy, Brett Whiteley Studio, Art Gallery of New South Wales, Sydney, 2007.
Pierse, Simon, Australian Art and Artists in London 1950–1965: An Antipodean Summer, Ashgate, Farnham, Surrey, 2012.
Pringle, John Douglas, Australian Painting Today, Thames & Hudson, London, 1963.
Prunster, Ursula, The Sydney Harbour Bridge, 1932–1982: A golden anniversary celebration, Angus & Robertson,
Sydney with Art Gallery of New South Wales, Sydney 1982.
Reed, John, The Arts in Australia: New Painting 1952–62, Longmans, Green & Co., London, 1963.
Robertson, Bryan; Russell, John & Snowdon, Anthony, Private View: The Lively World of British Art, Nelson, London, 1965.
Ross, Peter, Let’s Face It: The History of the Archibald Prize, Art Gallery of New South Wales, Sydney, 2005 (first published 1999).
Rothenstein, John, The Tate Gallery, Thames & Hudson, London, 1962.
Sayers, Andrew, ‘Icon and abstraction 1951–68’, in Australian Art, Oxford University Press, Oxford, 2001.
Smith, Bernard & Smith, Terry, Australian Painting: 1788–1990, Oxford University Press, Melbourne, 1991 (first published 1962).
Sturgeon, Graeme, Australia: The Painter’s Vision, Bay Books, Sydney, 1987.
Sutherland, Kathie, Brett Whiteley: A Sensual Line, 1955–67, Macmillan Art Publishing, South Yarra (Melbourne), 2010.
Sutherland, Kathie, Brett Whiteley: Catalogue Raisonné; 1955–1992, Schwartz City, Melbourne, 2020 (limited edition).
Terry, Martin, Masterpieces of Modern Australian Painting, Bay Books, Sydney, 1984.
Thomas, Daniel, Outlines of Australian Art: The Joseph Brown Collection (third edition), Macmillan, South Melbourne, 1989.
Walker, Robert, Painters in the Australian Landscape, Hale & Iremonger, Sydney, 1988, p. 149.
Walsh, David; Mead, Elizabeth, et al., Monanisms, Museum of Old and New Art, Hobart, 2nd revised edition, 2014 (first published 2011).
Whiteley, Brett, Zoo, Pegasus Books, South Melbourne, 1979 (deluxe, leather-bound limited edition of 8 copies, Gryphon Books, Melbourne, 1979).
Whiteley, Brett, Another Way of Looking at Vincent van Gogh, 1888–1889: Paintings, Drawings, Photographs,
Silkscreen Prints, Etchings, and Sculptures Created Over a Period of Fifteen Years, Richard Griffin, Melbourne, 1983 (limited edition to coincide with exhibition, Another Way of Looking at Vincent van Gogh, Art Gallery of New South Wales, Sydney, 15 July 1983).
Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publishing, Melbourne, 2016.
Wilson, Colin, Introduction to New Existentialism, Hutchinson of London, London, 1966.
Wilson, Colin, The Outsider, Gollancz, London, 1956.
Wilson, Gavin, The Artists of Hill End, The Beagle Press, Sydney, 1995.
Zanoletti, Margherita, Translating an artwork, Brett Whiteley's 'Remembering Lao-Tse in Wilson, Rita, Maher, Brigid (eds.), Words, Images and Performances in Translation, London, Continuum, 2011.
Exhibition catalogues (listed chronologically)
1961
Survey of Recent Australian Painting, Whitechapel Gallery, London, 1961. Authors: Kenneth Clark & Robert Hughes, with Preface by Bryan Robertson.
1962
House Show, Recent Paintings and Sculpture, The Matthiesen Gallery, London, 1962.
Brett Whiteley: Paintings and Gouaches, The Matthiesen Gallery, London, 1962.
Antipodean Vision: Australian Painting: Colonial / Impressionist / Contemporary, F.W. Cheshire, Canberra, 1962.
Authors: Clive Turnbull, Elizabeth Young & Daniel Thomas (Also published as Australian Painting: Colonial/Impressionist/Contemporary, with essays by Turnbull, Young and Thomas, Griffin Press, Adelaide, 1962).
Australian Painting Today: A Survey of the Past Ten Years, University of Queensland Press, Brisbane, 1962. Author: Robert Smith.
De Hedendaagse Schilderkunst in Australie: Een overzicht van de laatste tien jaar [Australian Painting Today: An overview of the last ten years], Queensland Art Gallery, Brisbane (1962–63).
1963
Brett Whiteley, Rudy Komon Art Gallery, Sydney, April 1963.
Ayrton, Daws, Smith, Vaughan, Whiteley, The Sorsbie Gallery, Nairobi, East Africa, 1963. Introduction by Alex, F. Mitchell.
Peter Stuyvesant Collection, Adelaide Festival of Arts, Art Gallery of South Australia, Adelaide, 1963.
1964
Brett Whiteley, Marlborough New London Gallery, London, 1964.
Documenta III, ‘Internationale Ausstellung’, Kassel, Germany, 1964.
The New Generation: 1964, Whitechapel Gallery, London, 1964. Author: Bryan Robertson, with Introduction by David Thompson.
1965
Treasures from the Commonwealth, Commonwealth Arts Festival commemorative catalogue, Royal Academy of Arts, London, 1965.
Brett Whiteley, Marlborough New London Gallery, London, 1965.
1966
Recent Works from London by Brett Whiteley, The Bonython Art Gallery, Adelaide, 1966.
Brett Whiteley: 23 Items by Brett Whiteley, Australian Galleries, Melbourne, 1966.
1967
In Our View: Some Paintings and Sculpture bought by Hans & Elsbeth Juda between 1931–1967, Graves Art Gallery, London, May 1967.
Brett Whiteley, Marlborough New London Gallery, London, 1967.
1968
Brett Whiteley, Marlborough–Gerson Gallery, New York, 1968.
1972
William Scott: Paintings, Drawings and Gouaches 1938–71, Tate Gallery, London, 1972.
Thomas, Laurie, Australian Painting and Tapestries of the Past Twenty Years: An Exhibition to Commemorate the Opening of the New South Wales House by Her Majesty, 24 May 1972, Solitho, Worthing, Sussex, 1972.
Brett Whiteley: Portraits and Other Emergencies, Bonython Gallery, Sydney, 1972.
1973
‘Alchemy’ Notebook, Sydney, 1973 Author: Brett Whiteley.
‘Waves’: Brett Whiteley, Australian Galleries, Melbourne, 1973.
1974
Bonython Gallery Gazette, Bonython Gallery, Sydney, January 1974.
The Boxer Collection, The University of Melbourne, Melbourne, 1974.
Brett Whiteley Drawings 1960–1973, Bonython Gallery, Sydney, 1974.
Brett Whiteley: Lavender Bay Series, Australian Galleries, Melbourne, 1974.
1975
brett whiteley–Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery, Sydney, 1975.
1976
Brett Whiteley: Recent Interiors, Still lifes, Windowscapes, Sculpture and Ceramics Australian Galleries, Melbourne, 1976.
The Heroic Years of Australian Painting: The Herald Exhibition 1940–1965, Herald & Weekly Times, Melbourne, 1976. Author: Alan McCulloch.
Project 13: The Calligraphic Image, Art Gallery of New South Wales, Sydney, 1976.
1977
Brett Whiteley: Ten Lithographs, Ganymed Original Editions Ltd, London, 1977.
Brett Whiteley: ‘Rivers’: Paintings, Drawings, Tapestry, Robin Gibson Gallery, Sydney, 1977.
Brett Whiteley: Recent Paintings and Drawings, Fischer Fine Art Limited, London, August 1977. With essay by Bryan Robertson.
Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 1977.
1978
Contemporary Australian Drawing: 1978 Perth survey of drawing, Western Australian Art Gallery, Perth, 1978. Author: Lou Klepac.
Brett Whiteley: paintings, drawings and three scrolls plus one bronze from 1960 Italy never before shown in Australia, Australian Galleries, Melbourne, 1978.
1979
Brett Whiteley: Birds and animals, Robin Gibson Gallery, Paddington, 1979.
Art in the Making: Art Gallery of New South Wales Travelling Art Exhibition 1979–80, Art Gallery of New South Wales, Sydney, 1979. Author: Linda Slutzkin.
1980
Brett Whiteley: Portraits: Crucifixions: (a paddock at) Oberon, Robin Gibson Gallery, Sydney, 1980.
Kelpra Studio: an exhibition to commemorate the Rose and Chris Prater Gift (also titled Kelpra Studio: The Rose and Chris Prater Gift: artists’ prints 1961–80), Tate Gallery, London, 1980. With introduction by Pat Gilmour.
1981
Catalogue of the Tate Gallery’s Collection of Modern Art: Other than Works by British Artists, Tate Gallery Publications with Sotheby Parke-Bernet, London, 1981. Author: Ronald Alley.
Brett Whiteley: Recent Nudes, Sydney, 1981. Author: Brett Whiteley.
1982
The Sydney Harbour Bridge 1932–1982: a golden anniversary celebration, Art Gallery of New South Wales, Sydney in association with Angus & Robertson, Melbourne, 1982. Author: Ursula Prunster.
The Boxer Collection: The Sydney Alternative, Nolan Gallery, Tharwa, Australian Government Publishing Service, Canberra, 1982. Author: Sasha Grishin.
1983
Life and Death: A Visual Experience in Opposites–1983–Brett Whiteley, Australian Galleries, Melbourne, 1983.
Brett Whiteley: Graphics: 1961–1982, Art Gallery of Western Australia, Perth, 1983; republished 1986 [including a supplement with works up to 1984]. Author: Robert Mandy.
1984
Eden and Eve: An Exhibition by Brett Whiteley, Australian Galleries, Melbourne, 1984.
1985
162 Drawings: Brett Whiteley, 1960–85, Robin Gibson Gallery, Sydney, October 1985.
Twentieth century Australian masterworks from the Art Gallery of New South Wales and the Fred Williams Pilbara Series from the Collection of CRA Limited, Tokyo Metropolitan Teien Art Museum, Tokyo, Japan, 1985. Authors: Barry Pearce & Patrick McCaughey.
1987
Brett Whiteley: Van Gogh Self-Portraits, Greenhill Galleries, Perth, 1987.
The Jack Manton Prize 1987: Recent Works by Fourteen Australian Artists, Queensland Art Gallery, Brisbane, 1987. Author: Bettina MacAulay.
1988
Brett Whiteley: ‘Birds’: 1988: recent paintings, drawings, sculpture, and one screen print, Sydney, 1988. Author: Brett Whiteley.
Stories of Australian Art, Commonwealth Institute London & Australian Studies Centre, London (c. 1988). With essays by Jonathan Watkins, Richard White, Joan Kerr & Tim Johnson.
Creating Australia: 200 Years of Art: 1788–1988, International Cultural Corporation of Australia with Art Gallery Board of South Australia, Adelaide, 1988. Edited by Daniel Thomas.
1990
Brett Whiteley: Of recent paintings, drawings, photographs, ceramics and wood carvings From Byron Bay, Marrakesh, Japan, San Gimignano – Tuscany, Australian Galleries, Sydney, 1990.
Brett Whiteley Nudes, Art Gallery of New South Wales, Sydney, 1990. Author: Barry Pearce.
Brett Whiteley: 1958–1989: The Central West, Orange Regional Gallery, Orange, New South Wales, 1990
Images of Women: European and Australian Paintings, Heytesbury Holdings Ltd, Perth, 1990 (folded sheet). Author: Ted Gott.
The Yellow House, 1970–1972, Art Gallery of New South Wales, Sydney, 1990. Introduction by Joanna Mendelssohn.
Paris: Regard de Côté, Australian Galleries, Collingwood, 1990. Author: Brett Whiteley.
1992
Brett Whiteley: Paris – The Complete Regard de Côté Series shown at the Art Gallery of New South Wales in 1990 Plus Works from other Visits 1982–1992, Australian Galleries, Melbourne, 1992.
1993
From the Lithographer’s Workshop: Lithography by Australian Artists Printed in Sydney by Fred Genis, Art Gallery of New South Wales, Sydney, 1993.
Rees: Whiteley: on the Road to Berry, Beagle Press, Sydney, 1993. Author: Lou Klepac.
1994
On the Beach, Australian Artists at the Shore, Museum of Modern Art at Heide, Bulleen, Victoria, 1994.
1995
Brett Whiteley: Art & Life, retrospective catalogue, Art Gallery of New South Wales, Sydneym 1995. Author: Barry Pearce, with contributions by Bryan Robertson and Wendy Whiteley.
Brett Whiteley: The Graphics, 1961–1992, Deutscher Fine Art, Melbourne, 1995.
1996
Brett Whiteley: Aspects & Insights, Art Gallery of New South Wales, Sydney, 1996.
1997
Australian Drawings from the Gallery’s Collection, Art Gallery of New South Wales, Sydney, 1997. Author: Hendrik Kolenberg.
I Had a Dream: Australian Art in the 1960s, National Gallery of Victoria, Melbourne, 1997. Author: Jennifer Phipps.
1998
European and Australian Paintings from the Robert Holmes à Court Collection, S.H. Ervin Gallery, Sydney, 1998.
Genesis of a Painter: The Early Abstractions of Brett Whiteley, Art Gallery of New South Wales, Sydney, 1998. With essay by Barry Pearce.
1999
Sense of Place, Heytesbury Pty Ltd, Perth, Western Australia, 1999.
Tangier to Byron Bay: Brett Whiteley’s Travels 1960–1992, Art Gallery of New South Wales, Sydney, 1999. Author: Barry Pearce.
Brett Whiteley’s Paris, Art Gallery of New South Wales, Sydney, 1999. With essay by Barry Pearce.
2000
Brett Whiteley Nudes, Art Gallery of New South Wales, Sydney, 2000.
Crossing Cultures: Art from the Boxer Collection, The Australian National University, Canberra, 2000. Authors: Morris Low & Nancy Sever.
Instantly: Whiteley with Words, Art Gallery of New South Wales, Sydney, 2000. With essay by Bruce James.
The Harold E. Mertz Collection of Australian Art, Christie’s Australia, Melbourne, 28 June 2000.
Brett Whiteley Graphics 1961–1992, Art Gallery of New South Wales, Sydney, 2000. With essay by Hendrik Kolenberg.
2001
Affinities: Brett Whiteley & Lloyd Rees, Art Gallery of New South Wales, Sydney 2001. With essay by Lou Klepac.
Rivers + Rocks: Arthur Boyd – Brett Whiteley, Bundanon Trust, Illaroo, New South Wales, 2001. Author: Gavin Wilson.
2002
Collection: The Benalla Art Gallery, Benalla Art Gallery, Benalla, 2002. Author: John Jones.
2003
Larrikins in London, Ivan Dougherty Gallery, University of New South Wales College of Fine Arts, Sydney, 2003. Author: Nick Waterlow and contributors.
2005
After van Gogh: Australian Artists in Homage to Vincent, Mornington Peninsula Regional Gallery, Mornington, Victoria, 2005. Curated by Rodney B. James.
2007
Cuisine and Country: A Gastronomic Venture in Australian Art, Orange Regional Gallery, Orange, New South Wales, 2007. Author: Gavin Wilson.
Harbourlife: Sydney Harbour from the 1940s to Recent Times, Macquarie University, Sydney, 2007. Author: Gavin Wilson.
2010
Brett Whiteley: Connections, TarraWarra Museum of Art, Healesville, Victoria, 2010. Authors: Barry Pearce, Jane Scott & Wendy Whiteley.
2013
Australia, Royal Academy of Arts, Royal Academy of Arts with the National Gallery of Australia, London, 2013. Essay by Thomas Keneally.
2014
Philip Bacon Galleries: 40 Years 40 Paintings, Philip Bacon Galleries, Brisbane, 2014.
2015
Destination Sydney, Manly Art Gallery & Museum, Mosman Art Gallery & S.H. Ervin Gallery, Sydney, 2015. Author: Lou Klepac.
Australian artists in Bali: 1930s to now, McClelland Gallery, Langwarrin, 2015. Author: Rodney James.
2018
Baldessin / Whiteley: Parallel Visions, National Gallery of Victoria, Melbourne, 2018. Authors: Sasha Grishin, Harriet Edquist, Angela Harrison, Katrina Strickland & Ashleigh Wilson.
Letters and documents
Brett Whiteley letters to Barbara Penfold: undated (c. 1957); 22 July 1964; 10 November 1967. (Private collection).
Brett Whiteley passport, 1960–65, 16 leaves, 32 pages, printed and stamped with pen and ink inscriptions. (Brett Whiteley Studio).
Brett Whiteley letter to Daniel Thomas, London, 24 September 1962. (Whiteley Archive, Art Gallery of New South Wales).
Brett Whiteley collection of unpublished letters to George Sheridan, France, 1962–67. (Private collection).
Brett Whiteley letter to Tam and Ann Purves, Australian Galleries, Melbourne, Sunday 26 July 1966. (Collection: Australian Galleries Archive).
Manuscript for exhibition, 23 Items by Brett Whiteley, 1966 (Whiteley Archive, Art Gallery of New South Wales).
Manuscript for Eden and Eve exhibition catalogue, 1984 (Whiteley Archive, Art Gallery of New South Wales).
Richard Watkins letters to Kathie Sutherland, 21 February 2007; 5 March 2007.
Newspaper and journal articles
Adams, Bruce, ‘Dilemma of brutal and gentle’, The Sunday Australian, 5 March 1972, p. 23.
Adams, Bruce, ‘The moods of Brett Whiteley’, The Sunday Telegraph, 13 January 1974 (n.p.).
Allen, Christopher, ‘Bodies laid bare’, The Weekend Australian Review, 10–11 August 2013, p. 12.
Allen, Christopher, ‘Inside Whiteley’s wonderful world’, Weekend Australian Review, 24–25 October 2020, visual arts 11.
Allen, Christopher, ‘Would the eye match the brush’, The Sydney Morning Herald, 9 March 1990, p. 16.
Arden, Holly, ‘Whiteley’s Calcutta’, Artlines, Queensland Art Gallery, Winter, 2004, p. 5.
Attwood, Alan, ‘Artist scoops pool’, The Age, 16 December 1978, p. 1.
Auty, Giles, ‘A case for rehabilitation: Giles Auty reviews the work and reputation of Brett Whiteley’,
The Australian Magazine, 26–27 August 1995, pp. 18–19.
Auty, Giles, ‘Child of his times’, The Australian Magazine, 23–24 September 1995, p. 12.
Beeby, Rosslyn, ‘Portrait of the artist as a surfie’, The Age, 11 April 1984, p. 3.
Bogle, Deborah, ‘Art movement’, The Australian Magazine, 20 June 1992, pp. 19–21.
Boles, Bernard, ‘Seeking the trysting hour: A romantic painter of the macabre’, The Review, Melbourne, 1 April 1972, (vol. 2, no. 26)
p. 737.
[Bonython Gallery] Bonython Gallery: 11, Gazette, Bonython Art Gallery, Sydney, January 1973.
Borlase, Nancy, ‘Autobiographical work as extraordinary force’, The Sydney Morning Herald, 16 December 1978, p. 3.
Borlase, Nancy, ‘Enchanting Callins’, The Sydney Morning Herald, 3 March 1977, p. 7.
Borlase, Nancy, ‘Touching depths of agony’, The Bulletin, 19 January 1974, pp. 37–8.
Borlase, Nancy, ‘Unexpected Whiteley’, The Bulletin, Sydney, 23 November 1974, p. 57.
Borlase, Nancy, ‘Whiteley emotions on show’, The Sydney Morning Herald, 3 May 1980, p. 19.
Borlase, Nancy, ‘Whiteley’s promised land’, The Bulletin, 13 January 1973, p. 37.
Borlase, Nancy, ‘Whiteley’s year’, The Sydney Morning Herald, 27 January 1977, p. 7.
Brett, Guy, ‘A newsy art’, The Times, London, 16 October 1967, p. 7.
Brook, Donald, ‘A huge talent’, The Sydney Morning Herald, 8 February 1968, p. 13.
[Burlington Magazine], ‘Current and forthcoming exhibitions: London’, Burlington Magazine, London, December 1962, vol. civ, no. 717, p. 558.
Burchall, Greg, ‘Whiteley on Whiteley’, The Age, 2 July 1966, p. 33.
Burr, James, ‘London Galleries: Originators and Imitators’, Apollo, London, July 1967, pp. 231–2.
Bush, Charles, ‘Whiteley in depth’, The Australian, 1 October 1966, p. 13.
Clarke, Anthony, ‘Whiteley pays tribute’, The Age, Saturday Extra, 16 July 1983, p. 3.
Cormack, Robin, ‘Brett Whiteley: Matthiesen Gallery’, The Arts Review, London, vol. xiv, no. 4, March 1962, p. 9.
Coutts-Smith, Kenneth, ‘Brett Whiteley: Marlborough New London Gallery’, The Arts Review, London, 2–16 May 1964, p. 5.
[Daily Telegraph] ‘Brett Whiteley’, ‘Obituaries’, Daily Telegraph, London, 18 June 1992, p. 17[?].
Date, Margot, Art of generosity smattered with ego, say critics, Obituary, The Sydney Morning Herald, 17 June 1992, p. 17.
Dunstan, Keith, ‘A place in the sun’, The Sun, 1 June 1973, p. 9.
Evans, David & Fortescue, Elizabeth, ‘Whiteley: The fatal flaw’, The Daily Telegraph Mirror, 17 June 1992, pp. 10–11.
Fortescue, Elizabeth, ‘Obituary’, ‘Top artist found dead’, The Daily Telegraph Mirror, 16 June 1992, p. 4.
Fraser, Jane, ‘Tribute to Whiteley looks back with love’, The Australian, 7 July 1992, p. 3.
Galbally, Anne, ‘Painters liven up our winter’, The Age, 12 August 1970, p. 2.
Gilchrist, Maureen, ‘Angliss Prize goes to Brett Whiteley’, The Age, 17 September 1975, p. 2.
Gilchrist, Maureen, ‘Talent shows in serious works’, The Age, 20 November 1974, p. 2.
James Gleeson, ‘The Art Collectors 3: James O. Fairfax’, Art and Australia, Ure Smith, Sydney, vol. 3, no. 3, December 1965, p. 181.
Gordon, Alastair, ‘Art in the Modern Manner’, The Connoisseur, London, vol. 161, no. 647, January–April 1966, pp. 38–9.
Gray, Robert, ‘A Few Takes on Brett Whiteley’, Art and Australia, Ure Smith, Sydney, vol. 24, no. 2, Summer 1986, pp. 216–23.
Gregory, Bill, ‘Collecting International Art: The case for global dialogues’, Art and Australia, Ure Smith, Sydney, vol. 40, no. 3, March–May 2003, pp. 454–7.
Grishin, Sasha, ‘Criticism in retrospect’, The Canberra Times, 27 September 1995, p. 23.
Haefliger, Paul, ‘Paintings for Italian Subject Art Competition’, The Sydney Morning Herald, 16 November, 1955, p. 2.
Hallett, Bryce, ‘Artist in perspective through retrospective’, The Australian, 7 July 1995, p. 12.
Hallett, Bryce, ‘The romantic casualty’, ‘The great escape artist: Brett Whiteley in retrospect’, The Australian Magazine, 26–27 August 1995, pp. 12–19.
Harris, Max, ‘Art Collections: Kym Bonython’, Art and Australia, Ure Smith, Sydney, vol. 1, no. 4, February 1964, pp. 222–30.
Harrison, Charles, ‘Brett Whiteley – Recent Works, Marlborough New London Gallery, 2–31 October’, Studio International Magazine, London, vol. 174, no. 893, October 1967, pp. 154–6.
Hawley, Janet, ‘Art house’, The Sydney Morning Herald, The (Sydney) Magazine no. 112, August 2012, pp. 28–32.
Hawley, Janet, ‘Brett Whiteley: The art of the warrior,’ The Sydney Morning Herald Magazine and The Age, Good Weekend, 17 February 1990, pp. 17–26.
Hawley, Janet, ‘Patrick White, the monster of all time’, The Age, Good Weekend, 26 January 1991.
Hawley, Janet, ‘Still life’, The Sydney Morning Herald, Good Weekend, 2 July 1994, pp. 19–22.
Hawley, Janet, ‘The Whiteley finale’, The Age Magazine, 2 July 1994, pp. 18–24.
Hawley, Janet, ‘The Whiteley women’, The Sydney Morning Herald, Good Weekend, 8 July 1992, pp. 13–17.
Hawley, Janet, ‘Whiteley and Rees, an inspiring friendship’, The Sydney Morning Herald, Good Weekend, 3 July 1993, pp. 14–19.
Heathcote, Christopher, ‘Whiteley’s fanciful views of some Paris myths’, The Age, 29 January 1992, p. 12
Heathcote, Christopher, ‘Whiteley, the pleasure king of modern art’, The Age, 18 June 1992, p. 14.
Heathwood, Gail, ‘Brett Whiteley, flying high’, Vogue Living, 13 November 1970–12 February 1971, pp. 100–103.
Heinrichs, Paul, ‘A toast to Tuscany’, The Age, 11 July 1978, p. 2.
Hilton, Margot & Blundell, Graeme, ‘Life, love and the other thing’, The Australian Magazine, 8–9 June 1966, pp. 12–18.
Hoff, Ursula, ‘Australian Paintings in British Public Collections’, Art and Australia, Ure Smith, Sydney, vol. 16, no. 2, December 1978,
p. 176.
Holloway, Memory, ‘Still looking good despite the clutter’, The Age, 1 June 1983, p. 14.
Horton Mervyn, (ed.), ‘Exhibition Commentary’, Art and Australia, Ure Smith, Sydney, vol. 4, no. 3, December 1966, p. 177.
Hughes, Karen, Elizabeth, ‘A Brett Whiteley interview: the van Gogh period’, The Age, Monthly Review, 3 February 1983, pp. 17–20.
Hughes, Robert, ‘Obsessions with flesh’, Nation, 4 May 1963, p. 18.
Hughes, Robert, ‘The Shirley Temple of English art?: Brett Whiteley’s splash in the mainstream’, The Bulletin, 18 December 1965, pp. 40–41.
Kelly, Frances, ‘Brett Whiteley: The middle life of a golden boy’, Style, A National Times Magazine, 15 December 1975, pp. 19–21.
Klepac, Lou, ‘The big picture’, The Weekend Australian Review, 10–11 January 2015, pp. 6–7.
Krausmann, Rudi, ‘Brett Whiteley: Painting the infliction of life (interview) extracts from the artist’s diary’, Aspect: Art and Literature, Sydney, Summer 1975–76, pp. 4–15.
Lancashire, Rebecca & Schmith, Michael, ‘Brett Whiteley: Obituary’, The Age, 17 June 1992, p. 11.
Licht, Ira, ‘Allen Jones: The Potent Image’, Studio International, London, July–August 1967, vol. 174, no. 891, pp. 32–5.
[London Magazine] ‘Brett Whiteley: The Christie Murders’, London Magazine, vol. 5, no. 7, October 1965, pp. 42–3.
Lynn, Elwyn, ‘Brett Whiteley: The Grand Works’, Quadrant, October 1976, pp. 37–44.
Lynn, Elwyn, ‘Down avenues of ambitious perspective’, The Australian Magazine, 10–11 March 1990, p. 11.
Lynn, Elwyn, ‘Drawing lines of genius’, The Australian Magazine, 26–27 October 1985 (n.p.).
Lynn, Elwyn, ‘Erotic obsessions’, The Bulletin, 17 February 1968, p. 64.
Lynn, Elwyn, ‘Golden haired Guru: Brett Whiteley’, Quadrant, vol. 23, no. 6, June 1979, pp. 40–41.
Lynn, Elwyn, ‘How pilgrim in the slough of despond sights Paradise’, The Bulletin, 27 June 1970, pp. 46–47.
Lynn, Elwyn, ‘The Hidden Brett: Brett Whiteley: The grand works’, Quadrant, Sydney, October 1976, pp. 37–45.
Lynn, Elwyn, ‘The Picture of Horror’, The Australian, 12 March 1966, p. 9.
Lynn, Elwyn, ‘Whiteley mystery burns bright’, The Australian Magazine, 9–10 July 1988, p. 13.
Lynn, Elwyn, ‘Golden haired Guru: Brett Whiteley’, Quadrant, vol. 23, no. 6, June 1979, pp. 40–41.
Lynn, Elwyn, ‘Jarring notes in lyric to women’, The Australian Magazine, 19–20 January 1991, p.10.
Lynn, Elwyn, ‘Luscious Ornaments’, The Independent Monthly, Australia, September 1991, pp. 34–35.
Lynn, Elwyn, ‘Obituary: A life of eternal struggle, Golden boy’s genius worthy of adulation’, The Australian, 17 June 1992, p. 16.
Lynn, Elwyn, ‘Savagery mollified’, The Bulletin, 11 March 1972, p. 43.
Lynn, Elwyn, ‘The Hidden Brett: Brett Whiteley: The grand works’, Quadrant, Sydney, October 1976, pp. 37–45.
Lynn, Elwyn, ‘The Picture of Horror’, The Australian, 12 March 1966, p. 9.
Lynn, Elwyn, ‘Whiteley mystery burns bright’, The Australian Magazine, 9–10 July 1988, p. 13.
Lynton, Norbert, ‘Voyeurs’, New Statesman, London, 8 May 1964, p. 739.
Makin, Jeffrey, ‘Almost a Genius’, The Sun, 6 June 1973, p. 31.
Makin, Jeffrey, ‘Art’, The Sun, 17 September 1975, p. 26.
Makin, Jeffrey, ‘Which Brett is for real?’, The Sun, 19 July 1978, p. 32.
Makin, Jeffrey, ‘Whiteley is the only genius’, The Sun, 22 September 1976, p. 34.
Makin, Jeffrey, ‘Problem Child’, Art and Australia, Ure Smith, Sydney, vol. 33, no. 3, Autumn 1996, pp. 324–5.
McAuliffe, Chris, ‘Nuff’, Meanjin, 58–4, December 1999, pp. 166–77.
McCaughey, Patrick, ‘Cry of Violence invades world of Values’, The Age, 28 September 1966, p. 5.
McCulloch, Alan, ‘Looking around dynamic space’, The Herald, 18 September 1975, p. 31.
McCulloch, Alan, ‘The Space packed and tense’, The Herald, 28 September 1966, p. 29.
McCulloch, Alan, ‘A wide vista’, The Herald, 12 August 1970, p. 28.
McCulloch, Alan, ‘Back to terra firma’, The Herald, 20 November 1974, p. 30.
McCulloch, Alan, ‘Letter from Australia’, Arts International, October 1970, pp. 69–70.
McCulloch, Alan, ‘Whiteley emerges’, The Herald, 23 September 1976, p. 32.
McDonald, John, ‘Hype reaches an art form’, The Sydney Morning Herald, Spectrum, 19 June 2010, pp. 32–3.
McDonald, John, ‘The Mirror Crack’d’, The Sydney Morning Herald, Spectrum, 23 September 1995, 14a.
McGillick, Paul, ‘The Whiteley Contradiction’, Australian Financial Review, 16 March 1990, p. 10.
McGrath, Sandra, ‘A prize pupil’, The Australian, 25 October 1978, p. 10.
McGrath, Sandra, ‘Brett Whiteley’s Alchemy’, Quadrant, September 1978, pp. 32–5.
McGrath, Sandra, ‘Brett Whiteley makes art history – then goes bush’, The Australian Magazine, 16–17 December 1978, p. 1.
McGrath, Sandra, ‘Cool, Cool Water’, The Australian, 4 March 1977, p. 8.
McGrath, Sandra, ‘Deciphering the mysteries of flesh and matter’, The Australian, 11 March 1972, p. 16.
McGrath, Sandra, ‘Meek and mild Archibald’, The Australian Magazine, 19–20 December 1981, p. 17.
McGrath, Sandra, ‘Profile: Brett Whiteley’, Art and Australia, Ure Smith, Sydney, vol. 5, no. 1, June, l967, pp. 368–73.
McGrath, Sandra, ‘The Age of Reason’, The Australian Magazine, 7–8 April 1979, p. 7.
McGrath, Sandra, ‘The artist as recorder of beauty’, The Australian, 12 January 1974, p. 24.
McGrath, Sandra, ‘The canvas Sweepstakes’, The Australian Magazine, 17–18 December 1977, p. 19.
McGrath, Sandra, ‘The making of an authentic genius’, The Australian, 24 January 1977, p.8.
McGrath, Sandra, ‘The van Gogh that is inside Whiteley’, The Australian Magazine, 16–17 July 1983, p. 10.
McGrath, Sandra, ‘True Brett Magic’, The Australian Magazine, 3–4 October 1981, p. 22.
McGrath, Sandra, ‘True Colours’, Vogue Living, November 1988, pp. 150–55.
McGrath, Sandra, ‘Whiteley in focus’, The Australian Magazine, 14–15 March 1981, p. 11.
McGrath, Sandra, ‘Whiteley potent magician’, The Australian, 22 March 1972, p. 11.
McGrath, Sandra, ‘Whiteley’s Homage to Matisse’, The Australian, Sydney, 25 October 1975, p. 26.
McIntosh, Philip, ‘Portrait of the artist as a winner’, The Age, 25 January 1977, p. 2.
McKenzie, Janet, ‘Obituary: Brett Whiteley: Divided Self, Sweeping Line’, The Guardian, London, 18 June 1992, p. 35.
McQueen, Humphrey, ‘Brett Whiteley’, Art and Australia, Ure Smith, Sydney, vol. 17, no. 1, September 1979, pp. 46–51.
McQueen, Humphrey, ‘Positions vacant’, Art Monthly Australia, Acton, September 2000, p. 23.
Melville, Robert, ‘Last of the Decadents’, New Statesman, London, vol. lxxs no. 1807, 29, 1965, p. 668.
Melville, Robert, ‘Treasures from the Museums’, Architectural Review, London, vol. cxxxviii, no. 826, December 1965, pp. 445–7.
Mendelssohn, Joanna, ‘A case too much’, The Bulletin, 3 April 1990, p. 113.
Mendelssohn, Joanna, ‘A draughtsman’s contract’, The Bulletin, 30 June 1992, pp. 26–7.
Mendelssohn, Joanna, ‘The Yellow House’, Art and Australia, Ure Smith, Sydney, vol. 27, no. 4, Winter 1990, pp. 568–75.
Millen, Ronald, ‘Paris Seen’, Art and Australia, Ure Smith, Sydney, vol. 1, no. 3, November 1963, p. 186–91.
Nicklin, Lenore, ‘Rhinoceroses succeed in a bear market’, The Bulletin, pp. 80–86.
Nicklin, Lenore, ‘Subdued Exhibition by Brett Whiteley’, The Sydney Morning Herald, 11 March 1972, p. 8.
Nicklin, Lenore, ‘Wicked Whiteley’s surprised – he’s alive and healthy’, The Bulletin, 15 October 1985, pp. 82–5.
Orange, Julia, ‘Rally ’round a fig tree’, The Australian, 17 July 1971, p. 23.
Owen, Wendy, ‘Archibald and Sulman prizes scooped by Sydney artist; Whiteley wins the big double’, The Age, 22 January 1977, p. 2.
Pascall, Geraldine, ‘All the makings of a lovely brawl’, The Australian, 21 January 1977 (n.p.).
Pascall, Geraldine, ‘Whiteley’s Arts Double: Judges’ daring matches entries’, The Australian, 22 January 1977, p. 1.
Pearce, Barry, State of the Art, issue 14, September–November 1995, p. 46.
Pidgeon, W.E., ‘Whiteley Finds Peace’, The Sunday Telegraph, 22 December 1974, p. 59.
Plant, Margaret, ‘My Summer Picture: Picture of a Perfect Day’, The Australian, 3 January 1994, p. 14.
Prerauer, Maria, ‘Whiteley: The Artist as Hero’, The Australian Magazine, 17–18 March 1979, p. 7.
Prisk, Max (ed.), ‘The crucial art of living dangerously’, The Sydney Morning Herald, 17 June 1992, p. 17.
Reichardt, J., ‘Brett Whiteley at Matthiesen Gallery’, Apollo, London, vol. lxxvi (New Series), no. 1, London, March 1962, pp. 72–3.
Roberts, Keith, ‘Current and Forthcoming Exhibitions’, Burlington Magazine, London, vol. cix, no. 776, November 1967, p. 659.
Robertson, Bryan, ‘Innocence and Experience’, The Spectator, London, no. 7167, 5 November 1965, p. 586.
Robertson, Bryan, ‘Obituary’, The Independent, London, 17 June 1992, p. 12.
Rosenthal, T.G., ‘Ancient and Modern’, The Listener, London, 14 May 1964, p. 804.
Rosenthal, T.G., ‘No Devil in the flesh’, The Listener, London, 28 October 1965, p. 672.
Russell, John, ‘Australian Invasion’, Art in America, New York, vol. 51, June 1963, p. 114.
Russell, John, ‘Brain, Brawn and Blood’, The Sunday Times, London, 17 October, 1965, p. 5 [?].
Russell, John, ‘Home-thoughts about the Wardle Prize’, Art and Australia, Ure Smith, Sydney, vol. 3, no. 1, June 1965, p. 25.
Russell, John, ‘London: From Imperium to Maniac’, Art News, New York, vol. 64, no. 7, November 1965, pp. 48–9.
Russell, John, ‘The Confirmatory Push, The Sunday Times, London, 29 March, 1964, p. 32.
Russell, John, ‘The London Pornocrats’, Art in America, New York, vol. 53, October 1965, pp. 125–31.
Shannon, Michael, ‘The Art Collectors 6: Elliot Aldridge’, Art and Australia, Ure Smith, Sydney, vol. 5, no. 3, December 1967,
pp. 510–17.
Shannon, Michael, ‘Whiteley at his graphic best’, The Australian, 7 December 1974, p. 4.
Smee, Sebastian, ‘Smoking Thrills’, The Weekend Australian Magazine, 13–14 May 2006, p. 18.
Spencer, Charles S., ‘Brett Whiteley: Classicism and Actuality’, Studio, London, March, 1964, pp. 108–11.
Spencer, Charles S., ‘First Commonwealth Arts Festival: Australian Artists in London’, Art and Australia, Ure Smith, Sydney, vol. 3, no. 3, December 1965, pp. 210–15.
Spencer, Charles S., ‘The Peter Stuyvesant Collection: Paintings while you Work’, Studio, London, January 1963, pp. 18–21.
Spencer, Charles S., ‘To Abstract Art’, The Artist, vol. 66, no 5, issue 395, 1 January 1964, pp. 98–100.
Spencer, Charles S., ‘Sense of Purpose’, The Australian, 2 October 1976, p. 25.
Strickland, Katrina, ‘Perspective Review’, ‘Whiteley’s work crosses borders, times and lives’, Weekend Australian Financial Review, 6–7 November 2010, pp. 36–7.
Sturgeon, Graeme, ‘Brilliant Brett’, The Australian, 17 July 1978, p. 8.
Sweeney, Helen, ‘Brett Whiteley’s human zoo’, Sunday Telegraph, 6 March 1966, p. 114.
[Sydney Morning Herald] ‘Art and Drama’, ‘Rudy Komon Galleries’, The Sydney Morning Herald, 11 April 1963, p. 12.
[Sydney Morning Herald] ‘New and Old in Art Contest’, The Sydney Morning Herald, 19 October 1959, p. 9.
Thomas, Daniel, ‘A literal autobiography in eighteen panels’, The Sydney Morning Herald, 11 Jan 1973, p. 15.
Thomas, Daniel, ‘Desperate Beauty’, The Age, 20 July 1996, p. 7.
Thomas, Daniel, ‘The Week in Art, Sunday Telegraph, 26 July 1964, p. 89.
Thomas, Laurie, ‘Alchemy with a poetic impact…Brett Whiteley’s visual kick in the pants’, The Australian, 27 December 1972, p. 3.
[Time] ‘Art’, ‘Painting’, ‘Plaster Apocalypse’, Time Inc., (Australian edition), Chicago, 10 November 1967, p. 42.
[Time] ‘The Young Londoners: Britannia’s New Wave’, Time Inc. (South Pacific edition), Chicago, 9 October, l964, pp. 34–9.
[Time] ‘The Most Living Artist’, Time Inc., 29 November 1976, pp. 54–62.
[The Times] ‘Obituaries: Brett Whiteley’, The Times, London, 16 June 1992.
[Time] ‘The Young Londoners: Britannia’s New Wave’, Time Inc. (South Pacific edition), Chicago, 9 October, 1964, pp. 34–9.
[Time] ‘The Most Living Artist’, Time Inc., 29 November 1976, pp. 54–62.
[The Times] ‘Obituaries: Brett Whiteley’, The Times, London, 16 June 1992.
[The Times] ‘Painters New and Old from Three Continents’, The Times, London, 13 May, 1964, p. 16.
[The Times] ‘Style and Myth in Australian Art’, The Times, London, 3 June, 1961, p. 4.
[The Times] ‘Painters of the Urban World: The New Generation: 1964’, The Times, London, 2 April, 1964, p. 16.
Van Nunen, Linda, ‘The Other Side of Whiteley’, The Australian Magazine, 31 October 1992, pp. 54–6.
Waldmann, Anna, ‘The Archibald Prize’, Art and Australia, Ure Smith, Sydney, Summer 1982, vol. 20, no. 2, pp. 213–36.
Walker, Robert (photographer), ‘Whiteley at the Bonython Gallery’, The Bulletin, 16 March 1968, pp. 71–2.
Wallis, Nevile, ‘Bride in the Bath’, The Spectator, London, 15 May 1964, pp. 663–4.
Whittet, G.S., (ed.), ‘Editorial’, Studio International, London, vol. 170, no. 869, September 1965, p. 91.
Whittet, G.S., ‘London Commentary: Commonwealth Artists and Uncommon Luminists’, Studio International, London, vol. 170, no. 871, November 1965, p. 214.
Williams, Pamela, ‘Model Town’, Australian Financial Review Magazine, 28 July 1995, pp. 26–35.
Williams, Pamela, ‘Side Glances from Paris: Out of hours’, Business Review Weekly, 24 July 1992, pp. 108–9.
Williamson, Kristin, ‘Brett Whiteley – Portrait of a genius’, The National Times, 25–31 May 1980, pp. 28–32.
Wilson and Maher (eds.), Translating an Art Work, London, Continuum, 2012. Essay by Margherita Zanoletti, ‘Words and Images in Brett Whiteley’s Remembering Lao-Tse’, ch. 1, pp. 7–25.
Wilson, Ashleigh, ‘Light in tunnel for Whiteley’ in The Australian, 6 March 2020, ‘Arts’ 16.
Wilson, Ashleigh, ‘The dream: Chelsea warning’, The Weekend Australian Review, 30–31 July 2016, p. 8.
Wolfram, Eddie, ‘Zoo Story: Rillington Place’, The Arts Review, London, vol. xvii, no. 20, 16 October 1965, p. 14.
Interviews and audio recordings (in chronological order)
Brett Whiteley, audio recording, National Library, Canberra, ‘bw 1965 deb 110’, 1/7, 19 September 1965.
Hal Missingham, Brett Whiteley, audio recording, National Library, Canberra, tape 109 – cut 2, side 2, London, 22 September 1965.
Michael Johnson interviewed by Barry Pearce, Sydney, 25 May 1994, Archives, Art Gallery of New South Wales, Sydney.
Tim Storrier interviewed by Barry Pearce, 6 December 1994, Archives, Art Gallery of New South Wales, Sydney.
Wendy Whiteley interviewed by Kathie Sutherland, Sydney, Lavender Bay, 25 August 2003.
Barry Pearce interviewed by Kathie Sutherland, Sydney, 27 August 2003.
Beryl Whiteley interviewed by Kathie Sutherland, Sydney, 11 September 2003.
Lawrence Daws, interviewed by Kathie Sutherland, 18 November 2003.
Film and video recordings (in chronological order)
The Australian Londoners, documentary film, 1965. Narrated by Rolf Harris.
Jam on his Face, 1970, 16 mm film, ektachrome print; duration 50 minutes, Art Gallery of New South Wales (63.1972). Peter Kingston, director, with Brett Whiteley & John Allen.
Brett and Butter, video recording, 1970–71. Made by Peter Kingston & Brett Whiteley.
Painters Painting, video-recording, Turin Film Corporation, USA, 1972. Emile De Antonio, director and producer.
Difficult Pleasure: A Portrait of Brett Whiteley, video-recording, Sydney, 1989. Don Featherstone, director and producer.
Understanding the Art of Brett Whiteley, video-recording, Bendigo, 1996. Traudi Allen, director and producer.
Red, black and Whiteley, North Ryde, 2000. Margaret Clarke, director.
The Beach: Beach Culture in Australia, ABC TV/RM Associates / NHK / Featherstone Productions, 2000. Don Featherstone, director and producer.
Brett Whiteley, Northern Pictures, Perth, 2016. James Bogle, director; Sue Clothier, producer; James Bogle & Victor Gentile, writers.
Sketchbooks and notebooks (in chronological order)
KS1. Artist’s sketchbook (c. 1946) Whiteley Estate (BWS1798)
KS2. Artist’s sketchbook (c. 1955) Whiteley Estate
KS3. Artist’s sketchbook, Sydney (c. 1957–58) (broken up)
KS4. Artist’s sketchbook (early years) (broken up)
KS5. Artist’s sketchbook, Sydney, Lintas (c. 1957–59) Private collection
KS6. Artist’s notebook, letters to Clem Whiteley (c. 1960) Private collection
KS7. Artist’s notebook, ‘diary’ [Rome, Florence, Pisa] (1960–61) Private collection (BWS1840)
KS8. Artist’s notebook, ‘21’ (1961; 1963) Whiteley Estate
KS9. Artist’s notebook (c. 1963) Whiteley Estate (SID61550)
KS10. Artist’s notebook, London Zoo (1964) Whiteley Estate (BWS1801)
KS11. Artist’s sketchbook ‘6’, Whale Beach, Sydney, 1965 Whiteley Estate
KS12. Artist’s notebook ‘2’ (1966–67) Whiteley Estate (SID61553)
KS13. Artist’s notebook ‘12’ (1967–68) Whiteley Estate (SID61554)
KS14. Artist’s notebook, ‘NY / 14/ 1969’, 1969 Whiteley Estate (BWS1792)
KS15. Artist’s sketchbook, Fiji (1968–69) Whiteley Estate
KS16. Artist’s notebook ‘22’ (1971–72 with later additions) Whiteley Estate (SID61549)
KS17. Artist’s notebook ‘16’, Nairobi, Mauritius, 1973 Whiteley Estate (SID61544)
KS18. Artist’s notebook ‘13’ (1974–75) Whiteley Estate (BWS1793)
KS19. Artist’s notebook ‘4’ (1974–76; c. 1980; 1988–92) Whiteley Estate (BWS1859)
KS19a. Artist’s notebook ‘15’ (c. 1974–76) Whiteley Estate (BWS1794)
KS20. Artist’s ‘orange velvet’ notebook (compiled c. 1975) Whiteley Estate (BWS1808)
KS21. Artist’s sketchbook (1975–76) Whiteley Estate (BWS1063)
KS22. Artist’s notebook ‘18’ (c. 1976–80) Whiteley Estate (BWS1849)
KS23. Artist’s notebook ‘24’ (c. 1978–79) Whiteley Estate (Whiteley Estate (BWS1853)
KS24. Artist’s sketchbook (early 1980s; c. 1985) Whiteley Estate (SID61548)
KS25. Artist’s notebook ‘JOEL/10/1980/BALI’, 1980 Whiteley Estate
KS26. Artist’s notebook ‘7’, 1980 Whiteley Estate
KS27. Artist’s notebook, Blue Meme, 1981 Whiteley Estate
KS28. Artist’s notebook, 1980–81; (c. 1989) Whiteley Estate (BWS1803)
KS29. Artist’s notebook ‘8’ (1982) Whiteley Estate
KS30. Artist’s notebook ‘9’ (c. 1983–84) Whiteley Estate
KS31. Artist’s notebook ‘5’ (1984–85) Whiteley Estate (BWS1795)
KS32. Artist’s notebook, 1985 Whiteley Estate (BWS1800)
KS33. Artist’s notebook, India, 1985; 1991–92 Whiteley Estate (BWS1799)
KS34. Artist’s notebook ‘20’ (1988–89) Whiteley Estate (BWS1797)
KS35. Artist’s notebook, Paris, 1989–90 AGNSW (arc185.i.i)
KS36. Artist’s notebook (1989–91) Whiteley Estate (BWS1796)
KS37. Artist’s notebook (1989–91) Whiteley Estate (BWS1802)
KS38. Artist’s notebook ‘25’ (1988/89–91) Whiteley Estate
KS39. Artist’s journal (1989–92) (broken up)
KS40. Artist’s notebook (1991) Whiteley Estate (BWS1804)
KS41 Artist's Collins Counter Address Book, no. 4084 (late 1980s–1990s) Whiteley Estate (BWS1841)
KS42 Wendy Whiteley's notebook with contributions by Brett (BWS143)
Websites
Australian Art Sales Digest, John Furphy Pty. Ltd., Melbourne: http://www.aasd.com.au/current_results.cfm (accessed from 2003).
Assy, Bethania, Eichmann, The Banality of Evil, and Thinking in Arendt’s Thought: http://www.bu.edu/wcp/Papers/Cont/ContAssy.htm (accessed 6 September 2007).
BBC On This Day; BBC–h2g2–War and Protest – The US in Vietnam: http://news.bbc.co.uk/onthisday/hi/dates/stories/ (accessed 20 September 2007).
Collection: Art Gallery of New South Wales: http://collection.artgallery.nsw.gov.au/collection/results (accessed 22 November 2007).
Grinspoon, Lester and Bakalar, James B., ‘Psychedelic Drugs in the Twentieth Century’, in Psychedelic Drugs Reconsidered, 1979, ch. 3, pp. 1–24. www.psychedelic–library.org/grinspoo.htm (accessed 20 September 2007).
Rillington Place, Revisited: http://www.parmaq.com/truecrime/Rillington.htm (accessed 23 July 2007).
Brett Whiteley: The Last Australian Romantic, a revised version of a public lecture given by Jon Stratton at the Art Gallery of Western Australia in March 1966, Curtin University, Western Australia, 1997: https://espace.curtin.edu.au/.../145809 (accessed 2017).
Australian Women's Weekly, 5 September 1973 http://nla.gov.au/nla.news-article52260971